How often do you Lie? Jody discusses this.

I Never Lie Book Cover I Never Lie
Jody Sabral
psychological, mystery, thriller, literary fiction
Canelo
11th June 2018
Kindle

Is she the next victim? Or is she the culprit?

Alex South is a high-functioning alcoholic who is teetering on the brink of oblivion. Her career as a television journalist is hanging by a thread since a drunken on-air rant. When a series of murders occur within a couple of miles of her East London home she is given another chance to prove her skill and report the unfolding events. She thinks she can control the drinking, but soon she finds gaping holes in her memory, and wakes to find she’s done things she can’t recall. As the story she’s covering starts to creep into her own life, is Alex a danger only to herself – or to others?

This gripping psychological thriller is perfect for fans of Fiona Barton, B A Paris and Clare Mackintosh.

An Interview with Jody Sabral

Can you tell your readers something about why you chose this particular topic to write about? What appealed to you about it? Why do you think it is different and your approach is unique?

I think the topic chose me in a way. I lived with an alcoholic for a year and felt the need to write about it in a realistic way. To capture the absolute denial of it and what the impact of that can be on everyone who comes into contact with it. I think it’s unique in the sense that I lived up close with it and therefore have a real passion for the issue. I’m not just using it as a plot ploy in a flippant manner. I hope it starts a positive conversation around alcoholism as I feel it’s something that is lacking in this country. I’ve always felt that literature and art can have a much longer lasting impact than that of news, the other business I’m in, so I guess I wanted to bring this to my novel, which I hope is also extremely entertaining. I still recall scenes from books I read ten or fifteen years ago and they make me think differently about the world we live in.

How long do you think about a topic before deciding to write about it? Do you have a set of notes or a notebook where you write down topics that appeal before making a decision as to which topic this time?

 Not really, for me it’s a very organic process. I think we all have themes in our lives that we feel strongly about for one reason or another and my writing is born from that. I’ve just completed a screenplay in which the main themes were born out of reading an article in the newspaper and a conversation with my niece. I felt strongly about the issues so I wanted to write about them.

3. How long does it take to research a topic before you write? And for this book?

It depends. I tend to pull off my experiences and those of friends. I’m not writing police procedurals. Yes, I have an investigation and an investigator but the emphasis is on the characters affected by it and the impact it has on them. So I tend to write about people’s emotions, which I think is about connections and the human condition. People fascinate me, so my writing is born out of conversations with others and observations about how people deal with a crisis.

How helpful do you find authority figures such as the police when you say you want to write about them? Is there a good way to approach them in your experience?

As a journalist I’ve always found them very helpful and happy to cooperate. I have contacts who will read to see if it’s plausible and they will tell me if it’s not working.

5. How many times have you been rejected before your first novel was accepted or before this book was accepted?

I’m proud to say upwards of sixty-five rejections in my writing career. Obviously with this novel it was different as my agent handled those rejections. But with the two earlier books, the first CHANGING BORDERS I sent it out to almost thirty agents and got a heap of rejections. The second, THE MOVEMENT, which I won the CWA Debut Dagger for got me lots of interest from agents, yet many more rejections. I met my agent on the back end of those rejections. He had the foresight to ask me what I was working on next and a partnership was formed. He’s been with me since the conception of I NEVER LIE and it’s a very supportive and nurturing relationship. Finally I have someone behind me, believing in my work. What I will say to aspiring writers is just keep at it, at some point something will give.

Did you need to self-publish on e-books before a publisher took you up?

I think you self-publish because you want to put it out there. To move on to a new project. To draw a line under it. But self-publishing has its pitfalls. Selling a book is a full time job.

Would you recommend self-publishing and building an audience before approaching a publisher? If so, what benefits do you see that it might have for the aspiring novelist?

I found self-publishing to be a very tough sell even though I had an audience of millions at the time that I wrote CHANGING BORDERS because I was a foreign correspondent on TV regularly. I write. I’m not a marketing person so I found that part of it tricky. It depends on your skills. If you’re good at sales and marketing I suppose you’d be in with a better chance than me. I don’t think there’s one perfect route. It’s a personal journey, but the important point is that you keep writing because at the end of the day it’s the words that will eventually pay off and resonate with someone. I like the support I have with an agent and publisher behind me because writing is a solitary job.

Does writing provide sufficient income to live on? And how long did it take before this happened?

Not yet. This is my first novel to be released via a publisher, so let’s see!

What is the funniest thing that happened to you on a book tour?

I haven’t done a book tour yet, so not sure I can answer this. But some interesting people have a copy of my first book. Sir Patrick Stewart has one via someone I met on a plane, and the musician Moby. I inscribed on Moby’s copy, ‘if you like it Tweet it!’ Obviously he didn’t, but you have to be your own ambassador for your work in a competitive environment. Maybe one day he’ll tweet about I NEVER LIE, who knows!

What do you read when you are ill in bed?

I don’t get ill very often. I write a lot in bed though.

 What is your favourite genre?

Crime obviously. I like Sci-fi too because it makes you think about the bigger questions in life as in ‘why are we here?’

If you recommend a living author – who would it be? A dead author?

That’s tough because there are so many amazing authors dead and alive. J G Ballard is my all time fav. Living, there’s just so many. It’s like asking me what my favourite song is, it changes all the time. I really love Gillian Flynn, S J Watson, Nicki French, John Le Carre’s earlier works…. I mean the list just goes on.

Which author had the most influence on your writing? Your writing style? Your writing genre?

Dan Brown possibly? I’m not a literary writer. It’s pacy and not overly descriptive. I don’t read as much as I used to, which may shock some people, but that’s because I find that other writer’s voices get into my own and presently I’m trying to hone my own, which I think I did with I NEVER LIE. I found my voice with this book and that’s a very satisfying feeling.

In your opinion who is the funniest author now writing?

I think the best comedy writers of the moment for me are Sharon Horgan and Phoebe Waller-Bridge, oh and Charlie Brooker, but they write for TV, which I’m also attempting to do after attending an evening class in screenwriting. I tend to watch more comedy on TV than read it in books.

Have you ever tried to imitate another author’s style? And if so, why?

When I was retraining from journalist to novelist during my MA at City University I used to copy sentences from Raymond Chandler’s books word for word into a notebook then change the adjectives for my own, I did this so I could try to capture the show aspect of writing rather than tell. As a broadcast journalist I’ve had to work on my description a lot because news writing is stripped back and we don’t use a lot of adjectives. I think Chandler’s writing is all about the atmosphere, which he creates through even just describing the materials in a room. He is my guru of descriptive writing.

What have you done with the things you wrote when in school?

Sadly, they’ve been lost over the years as I left home at sixteen and moved endlessly to a million different flats and many countries. So if you find a diary in a charity shop somewhere one day that has me name in it, please return it to me!

About the Author

Jody Sabral is based in London, where she works as a Foreign Desk editor and video producer at the BBC. She is a graduate of the MA in Crime Fiction at City University, London. Jody worked as a journalist in Turkey for ten years, covering the region for various international broadcasters. She self-published her first book Changing Borders in 2012 and won the CWA Debut Dagger in 2014 for her second novel The Movement . In addition to working for the BBC, Jody also writes for the Huffington Post , AlMonitor and BRICS Post .

Twitter: @jsabral

I Never Lie will be followed by Dont Blame Me in early 2019, which will explore the dark side of instant celebrity culture and the deadly  consequences of overnight success.

Canelo books can be found on Amazon, Kobo, Apple and Google Books – some books will be limited to UK publication places only:

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Leslie Tells it Like It Is

Heavens Rage Book Cover Heavens Rage
Leslie Tate
biography, true accounts, non-fiction
TSL Publications
(28 Nov. 2016)
Kindle

HEAVEN’S RAGE is an imaginative autobiography. Reporting on feelings people don’t usually own up to, Leslie Tate explores addiction, cross-dressing and the hidden sides of families. Writing lyrically, he brings together stories of bullying, childhood dreams, thwarted creativity and late-life illness, discovering at their core the transformative power of words to rewire the brain and reconnect with life. A Robin Red breast in a Cage / Puts all Heaven in a Rage — William Blake

Leslie Tate talks about he/r book Heaven’s Rage:

  1. Can you tell your readers something about why you chose this particular topic to write about?

There’s an urgency about writing from life, and as long as it’s well-judged, avoiding self-pity or therapeutic gushings, it can speak directly about intimate experiences and widen people’s idea of what it’s like to be human.

So I wrote my trans memoir Heaven’s Rage, inspired and encouraged by Bruce Springsteen’s refusal to play in states on the wrong side of the bathroom dispute and the rise of the trans movement. The fact that there were young trans people who were ‘out’ and accepted in schools also gave me strength.

I’d already written a trilogy of novels in third person where the subject didn’t come up – not surprisingly really, because fiction needs focus and a trans character would be a distraction. In that respect novels are edits driven by language and character, and different from life.

In life, my trans-self was a person I imagined, an inbetweener, a  Janus-type character facing both ways. I had two spirits inside me; they’d begun in opposition but by the time I wrote Heaven’s Rage the gap had narrowed. In the process I’d come to believe that being trans comes from the dream-self.

For me, it’s a case of mind over matter, a refusal to be bound by the demands of gender – although it’s quite involuntary, and not, as some people suppose, a choice or a vanity.

So, although I’d cross-dressed for years with family and friends and had left behind my youthful sense of being outcast, writing a memoir was a big step. Suddenly I had to reinvent myself on the page, speaking from the inside about who I was and finding an approach that didn’t gloss over the problems or concentrate purely on appearances.

The answer I came up with was a book in seven sections, using many different styles.

So Heaven’s Rage contains reflective prose, true-life stories, quotes, articles, interviews, poems and a play script. I went down that route to avoid the story getting ploddy. It also gave me the opportunity to look at key events from different angles.

So instead of having to rush the reader on I could go inside my different stages and tell the full story – my family inheritance and my spiritual childhood, my love of music and gardens, and my struggles with alcoholism and finding my own voice as a writer. That way, my trans experiences weren’t marked out as ‘different’ or ‘strange’ but became part of an inquiry into what it’s like to be fully human.

In the words of the blurb: ‘Heaven’s Rage is an imaginative autobiography. Reporting on feelings people don’t usually own up to, Leslie Tate explores addiction, cross-dressing and the hidden sides of families. Writing lyrically, he brings together stories of bullying, childhood dreams, thwarted creativity and late-life illness, discovering at their core the transformative power of words to rewire the brain and reconnect with life.’

  1. How long do you think about a topic before deciding to write about it?

For me, the thinking time is all part of coming to terms with memory and how you feel about yourself. The therapeutic process, which takes years, has to reach a point of self-acceptance before the real writing begins. But it’s also about technique. What drives a good book is ‘the right words in the right order’ (to paraphrase Coleridge) so in a sense, style is story.

I made several attempts to write about being trans when I was younger but they were too subjective and self-indulgent – which is why I went for the bigger picture.

So my memoir is written in what you might call ‘universal first person’, taking in the wider social background and ideas current in the Fifties. Stepping back a little also helped me to see that my personal history was selective and had been shaped by my own emotional schemas. In a sense I’d always been rewriting my past, making choices about which incidents mattered most and changing how I viewed them through the power of language.

During the actual writing new material did pop up; but mostly it was a search for the exact phrase or expression, because how you articulate your past reshapes your life-script. And how you speak to yourself determines who you are.

  1. How has your book been received?

I was delighted that Jonathan Ruppin, a judge for the Costa, Geoffrey Faber, Desmond Elliott and Guardian First Book Awards, wrote the following review about Heaven’s Rage.

‘Leslie Tate’s memoir is by turns an elegy for a lost childhood, a tribute to the power of literature and a demand for the right to identity in a world that turns too easily on those who differ from the conventional.

There is a raw candour to his struggles with alcohol and coming out as transgender, but there is no self-pity here, more a gesture of companionship amid life’s twisting fortunes. Just as it is the characters who bring a story to life, so he reminds us that our lives are enriched by the characterful and the curious.

Light-footed poems stud the prose like gemstones, and these shifts of gear reflect the truth that we host not an internal monologue but a dialogue of multi-faceted voices. Leslie Tate’s joyful embrace of the gamut of linguistic possibilities is the culmination of a quest for the right to write his own story, both figuratively and now on the page.’

Bio and Links:

Leslie Tate studied Creative Writing at the University of East Anglia and has been shortlisted for the Bridport, Geoff Stevens and Wivenhoe Prizes.

Heaven’s Rage is available, signed, at https://leslietate.com/shop/heavens-rage/ or from the publisher, TSL Books, at http://tslbooks.uk/product/heavens-rage-2/ as well as at Foyles & Amazon.

You can read about/buy his first two novels Purple at https://leslietate.com/shop/purple/

and Blue at https://leslietate.com/shop/blue/

as well as at their publisher https://www.magicoxygen.co.uk/.

The third part of his trilogy Violet can be pre-ordered at  https://leslietate.com/contact/

Leslie’s website https://leslietate.com/ carries weekly creative interviews and guest blogs showing how people use their imagination in life, in many different ways.

 

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